Archivos por Etiqueta: Natacha Rambova

THE ICR DESTROYED BY ITS BAD KARMA?

Without wanting to produce controversy and without acrimony towards anyone, the article published by Andrej Luft on his Facebook page: https://www.facebook.com/groups/roerichs.movement/permalink/2150651045195967/, about the ICR and its inevitable disappearance, due to its bad karma, it is a partial vision, like to show a table with only two legs.

To say that a succession in chain of cause-effect, of action and reaction, resulted in the destruction of the Museum, is pretentious and myopic. Let us remember, in the light of the teachings, that a project of this nature has many facets in the manifestation of the Great Wheel of Life.

Most of us judge the facts from the winning side, “looking after number one.” It is understandable, but we must first eliminate the animosity or enmity installed in the mind, and to see the diamond in all its facets, and not just the unpolished part. The vision of Andrej’s article ignores other facts that have supposed a great universal value and that clearly does not seem to be seen.

Encuentros Internacionales sobre los Roerich

The International Centre of the Roerichs (ICR)

       After knowing what the ICR has been for Russia and for Europe during its 25 years of existence, we must learn to interpret and decipher its impact on Earth as an “energy model” of a Special Service, perhaps not necessarily Hierarchical at first, not well stated, but you ought to be surprised how the Spiritual Hierarchy uses “the effort of a group” when it has shown that its cultural, philosophical and scientific activity is worthwhile.

And that was the case of the ICR, a source of Light, a center of New Agni Yoga, a vehicle for the knowledge of the Peace Banner and the Roerich Pact, and above all a place from where are expanded the philosophy of Living Ethics and scientific research on the Subtle Energetics that make up the Universes. That is its energetic trace imprinted on the ethers of space. The ICR has left a potential so special that normal people can not understand it, but can intuit it.

To speak about the good or bad Karma of a Museum or Cultural Organization, we must first understand that “the world manifests and does not manifest”. Everything is a mirage. And the manifestation in the phenomenal world is subject to three karmas: the good, the bad and the neutral. Like its manifestation as the 3 Gunas: Sattva (harmony, good, balance), Rajas (the change, action of tying and trapping), and Tamas (inertia, bad, imbalance). Three basic qualities of everything that exists in the Universe.

Looking for one of these qualities in Andrej Luft’s article, I have seen that the old International Centre of the Roerichs in Moscow is judged by its Rajas appearance. It is about the quality of change, and about catching all that concerns the Roerich inheritance, with – apparently – an activity of unique and perhaps turbulent financing that disturbed the goal itself.

Of course the ICR Museum was not sleepy, as there are other Roerich museums in the world, stiff in a past that will no longer return. The force of passion shown by Mrs. L.V. Shaposhnikova –the iron lady in the style of her compatriot Helena Petrovna Blavatsky– in her desire to tie and raise the symbol of Peace at the height of Cosmic Space, carried by cosmonauts on several occasions, as well as to the highest mountains of the planet, and to cultural and scientific institutions, even taking it to UNESCO in Geneva, Switzerland, earned many envies and conflicts.

I will not penetrate the depths of the “ways” used in the organization of the ICR and its relationship with the Master Bank, but I know that when an organization or group grows too much and its “quality of work” begins to affect the social life without permission of the ruling elites and the “Ahrimanic forces”, then it is persecuted until it is destroyed. It is a “War of All against All”. So it happened with the Master Building (M.B.) – Roerich Museum from New York. Did it disappear due to its bad karma too? A Roerich project that just created itself, it is knocked down! (1929-1936).

It was the year following the creation of the Roerich Pact for Peace and Culture (1935). The M.B. just lasted 7 years. At least the Russian Building (ICR) has lasted three more times. Is not this praiseworthy? And both in America and in Russia there will be nothing like them. But remember that the Gunas or forms of expression of life can not live one without another. How to proceed then? Looking for good made! Or what is the same, looking for the Guna Sattva aspect of that incredible activity that the ICR meant for the world.

Now, it will see the “negative karma” of those who participated and continue to participate in the violent disintegration of such a cultural activity Roerich in Moscow.

The excessive euphoria of the annihilators of the new Russian dream ICR, will suppose in the long run, an energetic descending movement that will produce darkness, disillusion and disturbance in the Roerich World and outside of it too, something that will take decades to repair it.

Based on my analytical mentality, together with my experience and life lessons as a guest of the ICR since the year 2000, (with its Board of Directors and in particular with Ludmila V. Shaposhnikova and Pavel Zhuravihin), I must say with total honesty, that it has always been a cordial, transparent and honorable treatment. The respect was the main note in all my meetings with them. I will point out some significant facts in the more than 15 years of specific relationship that I have had with them, and that are totally opposed to the comments made in Andrej’s article and to all those who think like him.

At least let me point out another facet of the rough diamond that was the ICR Museum, and all without preconceived ideas.

Go on ahead, I do not belong to any organization. I am only the Founder and President of the Peace Banner Roerich in Spain (ADA Association).

I know the life of the Roerichs and I have been publishing it since the 70s of the last century. For that reason and for my publications on the subject -for 40 years- I am respected, something that perfectly understood the Board of the aforementioned International Centre of the Roerichs from Moscow.

I always believed that projects such as the Master Building in New York, (which grouped more than half a dozen logos, symbols and organizations – something the ICR is accused of) or the Roerich Community from Samara in Russia, and also the “Community of Living Ethics” from Italy, among others, were and are Projects of Light, Peace and Knowledge. They are Cultural organizations and of Synthesis that have to help to settle a New Epoch and a New Order more harmonious than the present one. The dynamics of these groups, their configuration and structure – regardless of the esoteric – provide light-sound-color to space and social life with all their broad and subtle benefits.

That’s why I’ve approached all of them. And I have observed and obtained a coherence and continuous flow of light that still remains with me today.

I will point out in 10 points what I have seen in the ICR Museum since the year 2000:

1. As Founder of the ADA Association, we were invited (my wife and me) every year to the International Conferences held at the Museum in a cultural, philosophical, artistic and scientific environment unparalleled until then.

2. At some point during the three days I was seated at the presidential table as Roerich representative of Spain, despite not understanding the Russian language (the translator did not come up here).

3. During the days that the conferences lasted, they put at my disposal a Russian-Spanish translator, who also worked as a guide inside and outside the Moscow Museum.

4. I was invited to have tea / coffee / lunch in the area (VIP) reserved for ambassadors, consuls, scientists, cultural speakers and cosmonauts among others.

5. They drew attention to Ecology, denouncing the environmental abuses that occurred in regions such as Baikal Lake in Siberia, or in Altai, among others.

6. The teaching and training work in the arts was very remarkable:

A. Education of children in the Plastic Arts and Music.

B. Works on Psychic Energy and Buddhist Art.

C. Editions of scientific, historical and documentary works on DVD.

D. Exhibitions of children’s paintings, dances and concerts.

7. They gave me all kind of information about the works of the Roerichs and the Living Ethics, so that I could publish several books in Spain as was my wish, and all without asking anything in return.

8. In Spain there was no historical reference related to the Roerich family, except of the Basque painter Ignacio Zuloaga, who was an honorary member of the Master Building (Roerich Museum) in the city of N.Y. He obtained the Roerich Gold Medal for his exhibitions together with the works by Nicholas and Svetoslav, as we discovered in one of our investigations on the subject.

I equally researched – thanks to an anonymous friend – the whole story of the Secretary Don Ramón Padilla and Satrústegui of the Embassy of Spain in Washington, USA, on the signing of the Roerich Pact in the 30s. I spoke them about these things.

I also analyzed the connection of Svetoslav Roerich with the actress, astrologer and later Egyptologist, Natacha Rambova (Winifred Kimball – Hudnut). I was interested in the numerous Russian writings -on this subject and others that were not known in Europe- and the Roerich Museum in Moscow always put at my disposal the material they had on the subject, treating me always as an equal.

9. The Peace Banner Roerich was a very sensitive issue for the ICR Museum, and yet never, absolutely never, they raised objections that I handed over the Peace Banner to the institutions that I considered, but that they also participated in giving me the flags for the village of peace “Gernika” in Bizkaia, and for the city of Culture “Donosti-San Sebastián” in Gipuzkoa, both in the Basque Country (Spain), without asking for any remuneration, but always as a service to the world community.

10. Finally, I will say that I have the patented symbol (temporarily) of the Peace Banner in Spain since 2005. File No.: M-2685666. And the ICR never causes me troubles. They knew my deliveries of the Banner in India in the 90s of the last century. And thanks to this Spanish file, we got about ten centers, consulting or law firms that used the symbol in Spain, outside the Roerich centers, to withdraw this symbol before entering into trials.

The ICR thought that the Roerich Peace Banner was a delicious sweet that was being appropriated by strange groups all over the world, and it had to be avoided; as it was shown on more than one occasion. Just like the symbol of the Red Cross is respected and no one outside the organization should use it, the Roerich Peace Banner must be respected, and to avoid falling into the hands of emotional people who are not organizations or associations representative of the same, because this kind of people shows it without shame in any place or party.

In addition, to patent the symbol with a file number is not to appropriate it, it is about protecting it, because the patents last a few years and then are renewed or not. They can even be changed and claimed.

I understand that faced by articles like the one Andrej Luft has written, and my own article, different reactions could arise, and that is good if at least they serve as reflection and good sense. It is only about different points of view and perception. Everything has its tangible part and its intangible part. The metaphysics that studies the realm of thought warns: “Somehow all things are light.”

Let us be proud that Living Ethics will continue to be the Energy Consciousness of the Cosmos, and Russia and India hold the key of this Light. Leonardo -ADA Roerich- Spain 

¿EL ICR DESTRUIDO POR SU MAL KARMA?

Sin querer producir polémica y sin acritud hacia nadie, el artículo publicado por Andrej Luft en su página de Facebook:
https://www.facebook.com/groups/roerichs.movement/permalink/2150651045195967/,

sobre el ICR y su inevitable desaparición, debido a su mal karma, es una visión parcial, como mostrar una mesa de tan solo dos patas.

Decir que una sucesión en cadena de causa-efecto, de acción y reacción, dio por resultado la destrucción del Museo, resulta pretencioso y miope. Recordemos, a la luz de las enseñanzas, que un proyecto de esta naturaleza tiene muchas facetas en la manifestación de la Gran Rueda de la Vida.

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Natacha Rambova y Svetoslav Roerich en los años 30 del pasado siglo

Pertenece a los archivos de Leonardo Olazabal

En el principio de los años 30, vivir en Nueva York era vivir con intensidad, con ilusión, aún coleando la crisis del 29, la Gran Depresión que se prolongaría toda la década.

Natacha Rambova decía: ¡Todo evoluciona tan deprisa! -Su viva mirada parecía estar viendo pequeños pero muy intensos vislumbres del futuro a la vez que saboreaba una taza de té junto a su amigo Svetoslav Roerich-.

La gente se reunía en los cafés, en los salones de baile y en los teatros de la ciudad. Una parte de la clase media, se interesaba por las nuevas tendencias artísticas y por los eventos espirituales y museísticos.

En el Museo Nicolás Roerich, situado en las primeras 3 plantas del Master Building de la calle Riverside Drive del nº 310, se forjaban las almas más puras de la época. Inaugurado en 1929, este edificio de estilo Art Decó cuenta con una historia increíble. Los pormenores han sido relatados en mi obra “CHINTAMANI”.

Además de varias salas dedicadas a las pinturas de Nicolás Roerich, y diversos objetos de arte oriental, procedente todo ello de la Expedición al Asia Central, había también talleres de escultura, salas de estudio, un pequeño teatro, una biblioteca, salones de conferencias, oficinas, auditorios y una cafetería-restaurante.

Una placa de mármol negro situada al ras del suelo y en una esquina, nos recuerda el año 1929 grabado junto con las letras -M y R- (Museo Roerich), y tres puntos, rodeado todo por un círculo en representación del Símbolo de la Paz Roerich. El 24 de Marzo de ese año se celebró el primer festival y se puso la que se conoce como la “Piedra Angular” en una esquina del edificio. Antes, tanto la Sra. Frances como la Sra. Sinna, colocaron una “cápsula del tiempo” que consistía en un cofre metálico con varios objetos simbólicos dentro, según las indicaciones de Roerich (ver mi obra CHINTAMANI).

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